Copyright © 2017
by Ralph F. Couey
Past a certain age in life, the number of obligations
begin to shrink in number, creating, or I should say, recreating moments of spontaneity. Such a thing happened Sunday when, quite by
accident, we discovered that Chicago and the Doobie Brothers, two rock bands
who had largely shaped my adolescence, were in Phoenix for a one-night show. It was so spontaneous that I bought the
tickets on my phone standing in the parking lot.
For teenagers and young adults, music, as much as any
other thing, provides not only entertainment, but a soundtrack through which
our lives are expressed. I turned twelve
in 1967, which meant that my brain was filled with the Beatles, Bob Dylan,
Peter, Paul & Mary, and yes, Elvis.
As the decade turned over into the 70’s, the music took a much harder
edge. The Beatles were now four separate
acts. The Stones, Zeppelin, Deep Purple
and the Grateful Dead. Pop now achieved
its divorce from rock n’ roll with the Jacksons, Elton John, Neil Diamond, and
the Supremes. Folk emerged from the
Village coffee houses and we heard Gordon Lightfoot, Crosby, Stills, Nash, and
Young, Simon & Garfunkle, and Joni Mitchell. Motown surged with muscular authority with
James Brown, Aretha Franklin, Gladys and the Pips, and Wilson Pickett. American radio stations blasted listeners
with all those formats, a kind of electronic cross-culturalism.
I had several favorite acts, and a ton of favorite songs. But around 1970, two bands emerged for
me.
In 1969 San Jose, California, survivors of a band
called Moby Grape formed a new group that would eventually evolve into the
Doobie Brothers. By 1972, they were
charting nationally. Their unique sound pushed through the background noise and
captured my attention. I remember when
Cheryl was pregnant with our son, I would put a Doobies record on and place the
headphones on her belly, hoping to entertain that developing fetus. Oddly, after he was born, he never liked
either band.
About that same time, another band came out of
Chicago, originally called “The Big Thing” and “Chicago Transit Authority”
until threatened legal action by that city’s mass transit bureaucracy force a
shortening of the name to simply “Chicago.”
They were a rock band with horns, a trombone, sax, and trumpet, that
brought a bright, brassy sound to the radio.
I was a brass player, so naturally they appealed to me. Those two bands were at the top of my charts
from adolescence through almost early middle age. I had gone to see Chicago when they were
touring with the Beach Boys round 1975, but hadn’t been back since. I had never seen the Doobies on stage. So it was with great anticipation that we
entered Ak Chin Pavilion that evening.